Pink just like fire album
I like stirring things up and creating dissent and creating discussion and highlighting the ridiculousness of it all." I have women in Philadelphia, friends that are poor, they're single parents. I have people that are in Sri Lanka, in Iraq, in Africa working with the UN. "I don't sit holed up inside my mansion with my poodles and think that everything's fine. I'm very much in tune with what's ," she told The Independent Online of the creation of that song. I hang out with real, nine-to-five people. Bush to task with lyrics like "How do you sleep while the rest of us cry?" "I was going: 'You want a record? Fine, I'll write 10 songs in a week for your f-kin' record and you can press it up and put it out.'"įor her fourth studio album, 2006's I'm Not Dead, she was ready to take on the President of the United States on the track "Dear Mr. For 2003's Try This, her third studio album and last under Arista Records, she would write almost exclusively with Rancid singer and guitarist Tim Armstrong, a move she later admitted was a bit of push back against the way they were trying to force her to simply recreate Missundaztood. "I was kind of rebelling against the label on that one," she told The Irish Times in 2006. What if it's a girl-I can't flirt?'"Īs she produced more records, it would become clear that her career's defining characteristic would be her resolute need to do things her way. One thing the guy told me was, 'If it's a guy, flirt.' I said, 'You're a total a-hole for that comment, right there. Her label's assigned media coach found that out the hard way, as she told Rolling Stone in a separate interview. "He was trying to change me, change my whole thought pattern," she said, "and I almost felt violated.
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Was it punishment for their prior attempts at forcing her into etiquette lessons and media training? Perhaps.Īt only 22, she wasn't willing to let anyone tell her what to do-or even suggest how to do it.
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"When I said I was going to go and work with Linda Perry, the record company were like, 'Are you crazy?' Yes, I am," she told The Guardian in 2003. The move did not sit well with Reid or the label. "I think she understands that I'm going after the machine, not necessarily her," she told Rolling Stone at the time.įor that album, she enlisted former 4 Non Blondes singer Linda Perry as her songwriting partner, who, despite now being a songwriting powerhouse revered in the industry, was a complete non-entity.
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Reid, to task for telling her to change "everything you are" and name-checked "damn" Britney Spears, whom she was tired of being compared to. She would famously hone in on that sentiment on her second studio album, 2001's Missundaztood-most notably on the single "Don't Let Me Get Me," where she took the man who signed her, L.A. If it makes you feel better, put me in that category, but I'm painting the world pink, so it's whatever. Like, what is she?' So now it's easy for people to categorize me, but I think my music will speak for itself.
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"They were like, 'Well, what's this girl like? She's punk rocker-thug. So it was like, they didn't know what to think of me," she said in that same LAUNCH interview. "I was signed in '96 when there was no Britney Spears and Christina Aguilera and Mandy Moore and Jessica Simpson and whatever whatever. Right out the gate, she also proved to have an unflinching knack for taking on the very industry she was quickly carving out a successful career in. Here, throw on some pink hair, get some pink shirts and here you go. "Nobody came to me and said, 'OK, we're going to call you Pink. I'm a hands-on person, I make what this is, you know what I mean," she said in that same 2000 interview. Over the course of a 17-year career, which has seen the release of seven studio albums, the singer, born Alecia Beth Moore, has remained resolutely committed to speaking her truth on her terms. That quote, which so perfectly distills the singer's entire approach to her career in one thesis statement, actually comes from one of her earliest interviews, as she sat down with LAUNCH (now Yahoo! Music) in 2000 to discuss her debut album, Can't Take Me Home.įrom the minute Pink burst onto the scene at the start of the new millennium, it was abundantly clear that she wouldn't be following in the footsteps of her pop star predecessors-neither in sound nor in soundbites.